How does perspective affect science? How does science affect culture? Through projects, research, and discussions, you’ll practice examining the contexts and sources of knowledge.

You’ll take one Foundations course and one Perspectives course each semester of year two. In the Foundations courses, you’ll develop the set of skills you’ll use to explore, analyze, and interrogate ideas in the Perspectives courses of your choice.

Fall Semester

  • COR 201 | Core Foundations: Making Meaning through Science

    Science holds an elevated place in society. The knowledge and meaning that science makes are seen as having a particular and special value. This course explores knowledge and meaning making in order to allow a thoughtful analysis of, and then engagement with, science as a way of knowing, and then engages with the methods and theories of the sciences themselves, to understand the analytical, creative, and generative possibilities of science.

  • COR 202 | Interdisciplinary Perspectives on ____

    While each section of COR 202 addresses a different problem, issue, or topic, they all focus on interdisciplinary research. You will collect, analyze, and assess information from different disciplines in order to recognize patterns, contextualize arguments and synthesize ideas while collaborating on a project. Emphasis will be placed on helping you translate and apply what you learn about interdisciplinary research to other professional contexts.

  • Ed Cafferty

    Humans have lived together in groups for thousands of years. They have had conflicts with other people and groups. They sometimes treat each other as equals but often they don’t. They may dominate others through beliefs, norms, values, violence, and laws. We will explore the many ways people interact with each other and how relationships have change over time. This course will include student group activities, guest speakers, videos, and class discussions.

  • Ed Cafferty

    Humans have lived together in groups for thousands of years. They have had conflicts with other people and groups. They sometimes treat each other as equals but often they don’t. They may dominate others through beliefs, norms, values, violence, and laws. We will explore the many ways people interact with each other and how relationships have change over time. This course will include student group activities, guest speakers, videos, and class discussions.

  • Veruska Cantelli

    What motivated me was curiosity, the only kind of curiosity that is worth acting upon; not the curiosity that seeks to assimilate what is proper for one to know, but that which enables one to get free of oneself. This semester we will unpack the complexity and dynamic force of post/decolonial identity through an interdisciplinary approach. We will follow the painful journey of a Senegalese woman trapped into a racial web of a white French bourgeois household, dive into the clash and the search for independence in Algeria, unpack women’s voices out of India and follow Ngugi Wa Thiong’o’s questioning of the role of the English language as a dominant colonial force. Our guiding force will be non-western lens, we will challenge our assumptions, be inspired, and learn from the giants of postcolonial theory.

  • Veruska Cantelli

    What motivated me was curiosity, the only kind of curiosity that is worth acting upon; not the curiosity that seeks to assimilate what is proper for one to know, but that which enables one to get free of oneself. This semester we will unpack the complexity and dynamic force of post/decolonial identity through an interdisciplinary approach. We will follow the painful journey of a Senegalese woman trapped into a racial web of a white French bourgeois household, dive into the clash and the search for independence in Algeria, unpack women’s voices out of India and follow Ngugi Wa Thiong’o’s questioning of the role of the English language as a dominant colonial force. Our guiding force will be non-western lens, we will challenge our assumptions, be inspired, and learn from the giants of postcolonial theory.

  • Weiling Deng

    From Hello Kitty and Rilakkuma to Build-A-Bear Workshop and Matryoshka Doll, from vintage tin vehicles to drones and VR/AR, toys construct our emotional, cognitive, and intellectual worlds. Toyland is not simply a fairyland insulated from what is otherwise considered “real.” Its materiality is both a built world and a world in the making where humans simultaneously play the roles of customer, player, character, dreamer, maker, and instrument. This course takes a critical view of toys in conversation with cultural and psychological interpretations. In this course, we inquire how toys rehearse real-world geopolitics and biopolitics, ranging from anti-war movements, Black power, feminist and queer critiques within the U.S. to critical studies of kawaii/cuteness, techno-Orientalism and Ornamentalism, post-Soviet nostalgia, and the corporate empires built on contemporary computational machines and algorithms. The learning goal is to gain a wider definition of toys and “read” them as a voluminous interface through which gendered and race-based world-building messages travel between large-scale politics and the intimate sphere of daily life, in the wake and aftermath of the Cold War.

  • Weiling Deng

    From Hello Kitty and Rilakkuma to Build-A-Bear Workshop and Matryoshka Doll, from vintage tin vehicles to drones and VR/AR, toys construct our emotional, cognitive, and intellectual worlds. Toyland is not simply a fairyland insulated from what is otherwise considered “real.” Its materiality is both a built world and a world in the making where humans simultaneously play the roles of customer, player, character, dreamer, maker, and instrument. This course takes a critical view of toys in conversation with cultural and psychological interpretations. In this course, we inquire how toys rehearse real-world geopolitics and biopolitics, ranging from anti-war movements, Black power, feminist and queer critiques within the U.S. to critical studies of kawaii/cuteness, techno-Orientalism and Ornamentalism, post-Soviet nostalgia, and the corporate empires built on contemporary computational machines and algorithms. The learning goal is to gain a wider definition of toys and “read” them as a voluminous interface through which gendered and race-based world-building messages travel between large-scale politics and the intimate sphere of daily life, in the wake and aftermath of the Cold War.

  • Amy Howe

    How do we understand the power of “rural life” in American and global imaginaries? This course will explore the fascinations, realities, multiplicities, and politics of what the term and experiences of “rural” mean. We will look at a range of primary and secondary literary, economic, and social sources that examine the place, history, and politics of rural representation, development, research, and self-determination. Students will have hands-on opportunities to conduct in-depth research on selected case studies in partnership with rural humanities networks in and outside of Vermont and the North Country region.

  • Amy Howe

    How do we understand the power of “rural life” in American and global imaginaries? This course will explore the fascinations, realities, multiplicities, and politics of what the term and experiences of “rural” mean. We will look at a range of primary and secondary literary, economic, and social sources that examine the place, history, and politics of rural representation, development, research, and self-determination. Students will have hands-on opportunities to conduct in-depth research on selected case studies in partnership with rural humanities networks in and outside of Vermont and the North Country region.

  • Isabella Jeso

    Research is about learning how to ask the right kinds of questions and figuring out how to answer those questions through discussion, reflection, and writing. What value can be found in exploring philosophical ways of knowing? What is a way of knowing? We will answer these foundational questions as we explore the intersections of reading, writing, and thinking through perspectives from varying knowledge fields or academic disciplines as we study specific topics. This class explores course texts and digital content, viewing selected learning resources from the perspectives of deconstructionist theory, modern psychoanalytic theory, and new historicism theory. In these procedures, we will also be conscious of what reading can do for how the mind comes to know what it seeks to know. Moreover, we will be self-reflective about what writing on a topic can do for developing your mind. Additionally, we will ask what conferencing/speaking, or the sharing of ideas through discussion and collaboration, can do for the collective and individual knowledge acquisition; looking at why the search for certainty in what is known or in what we come to know, is generally a futile exercise. Interdisciplinary Perspectives: Self-Knowledge provides students opportunities to explore these issues through learning activities, evaluating the impact of such academic/intellectual exercises on the mind’s development and on its own self-preservation. Therefore, students will be guided in further developing their critical thinking skills.

  • Isabella Jeso

    Research is about learning how to ask the right kinds of questions and figuring out how to answer those questions through discussion, reflection, and writing. What value can be found in exploring philosophical ways of knowing? What is a way of knowing? We will answer these foundational questions as we explore the intersections of reading, writing, and thinking through perspectives from varying knowledge fields or academic disciplines as we study specific topics. This class explores course texts and digital content, viewing selected learning resources from the perspectives of deconstructionist theory, modern psychoanalytic theory, and new historicism theory. In these procedures, we will also be conscious of what reading can do for how the mind comes to know what it seeks to know. Moreover, we will be self-reflective about what writing on a topic can do for developing your mind. Additionally, we will ask what conferencing/speaking, or the sharing of ideas through discussion and collaboration, can do for the collective and individual knowledge acquisition; looking at why the search for certainty in what is known or in what we come to know, is generally a futile exercise. Interdisciplinary Perspectives: Self-Knowledge provides students opportunities to explore these issues through learning activities, evaluating the impact of such academic/intellectual exercises on the mind’s development and on its own self-preservation. Therefore, students will be guided in further developing their critical thinking skills.

  • Isabella Jeso

    Research is about learning how to ask the right kinds of questions and figuring out how to answer those questions through discussion, reflection, and writing. What value can be found in exploring philosophical ways of knowing? What is a way of knowing? We will answer these foundational questions as we explore the intersections of reading, writing, and thinking through perspectives from varying knowledge fields or academic disciplines as we study specific topics. This class explores course texts and digital content, viewing selected learning resources from the perspectives of deconstructionist theory, modern psychoanalytic theory, and new historicism theory. In these procedures, we will also be conscious of what reading can do for how the mind comes to know what it seeks to know. Moreover, we will be self-reflective about what writing on a topic can do for developing your mind. Additionally, we will ask what conferencing/speaking, or the sharing of ideas through discussion and collaboration, can do for the collective and individual knowledge acquisition; looking at why the search for certainty in what is known or in what we come to know, is generally a futile exercise. Interdisciplinary Perspectives: Self-Knowledge provides students opportunities to explore these issues through learning activities, evaluating the impact of such academic/intellectual exercises on the mind’s development and on its own self-preservation. Therefore, students will be guided in further developing their critical thinking skills.

  • Fia Moser-Hardy

    How many ways can you describe a color? Can you write a poem about it? Can you explain it through science? Can you express your feelings about it through a dance? Can you research the history of its usage and cultural symbolism? How might people from different disciplines approach this question, and how might they collaborate to create a cohesive, multi-disciplinary response? You have a unique way of viewing the world around you that has the potential to spark advancements through the use of the creative process. Many processes mirror the creative process. In this course, you will explore your own process in creating and expressing new ideas through the intersection and integration of varying subjects such as visual art, dance, creative writing, science, and cultural studies. You will learn how you can develop your own process and merge your process with others’ processes to create new and innovative projects through a collaborative experiment of “ekphrastic” art.

  • Flavio Rizzo

    What motivated me was curiosity, the only kind of curiosity that is worth acting upon; not the curiosity that seeks to assimilate what is proper for one to know, but that which enables one to get free of oneself. This semester we will unpack the complexity and dynamic force of post/decolonial identity through an interdisciplinary approach. We will follow the painful journey of a Senegalese woman trapped into a racial web of a white French bourgeois household, dive into the clash and the search for independence in Algeria, unpack women’s voices out of India and follow Ngugi Wa Thiong’o’s questioning of the role of the English language as a dominant colonial force. Our guiding force will be non-western lens, we will challenge our assumptions, be inspired, and learn from the giants of postcolonial theory.

  • Flavio Rizzo

    What motivated me was curiosity, the only kind of curiosity that is worth acting upon; not the curiosity that seeks to assimilate what is proper for one to know, but that which enables one to get free of oneself. This semester we will unpack the complexity and dynamic force of post/decolonial identity through an interdisciplinary approach. We will follow the painful journey of a Senegalese woman trapped into a racial web of a white French bourgeois household, dive into the clash and the search for independence in Algeria, unpack women’s voices out of India and follow Ngugi Wa Thiong’o’s questioning of the role of the English language as a dominant colonial force. Our guiding force will be non-western lens, we will challenge our assumptions, be inspired, and learn from the giants of postcolonial theory.

  • Gary Scudder

    We routinely throw around the word “evil” – even if we’re simply grousing about our professors – but what does the concept even mean? In this class we will study different religious, philosophical, psychological, and sociological interpretations, and maybe in the process begin to answer the question: why does evil exist? During the class students will read Dostoevsky’s Crime and Punishment, Capote’s In Cold Blood, and excerpts from thinkers as varied as St. Augustine, Machiavelli, and Hannah Arendt.

  • Gary Scudder

    We routinely throw around the word “evil” – even if we’re simply grousing about our professors – but what does the concept even mean? In this class we will study different religious, philosophical, psychological, and sociological interpretations, and maybe in the process begin to answer the question: why does evil exist? During the class students will read Dostoevsky’s Crime and Punishment, Capote’s In Cold Blood, and excerpts from thinkers as varied as St. Augustine, Machiavelli, and Hannah Arendt.

  • Erik Shonstrom

    Who’s in the driver’s seat? We often assume our brain is directing behavior, making decisions. But the science of embodied cognition offers a much more complex picture. Our bodies, evolutionary history, and subjective sensorimotor perception are guiding our daily lives much more than we think. This section is an interdisciplinary exploration of the way in which the body’s interaction with our environment dictates behavior: it makes us who we are. We’ll move, smell, taste, listen, dance (salsa, anyone?) and move our bodies to understand how our bodies aren’t just part of us; they are us.

  • Erik Shonstrom

    Who’s in the driver’s seat? We often assume our brain is directing behavior, making decisions. But the science of embodied cognition offers a much more complex picture. Our bodies, evolutionary history, and subjective sensorimotor perception are guiding our daily lives much more than we think. This section is an interdisciplinary exploration of the way in which the body’s interaction with our environment dictates behavior: it makes us who we are. We’ll move, smell, taste, listen, dance (salsa, anyone?) and move our bodies to understand how our bodies aren’t just part of us; they are us.

  • Kelly Thomas

    How can we best understand sexuality and sexual desire? As humans, we are sexual creatures, yet sexual desire is often viewed by society as taboo and carefully regulated. This section examines potential reasons why, and subsequent repercussions. This is not a how-to course on human sexuality; rather, we will inquire into how we are (or are not) formally educated about sexual desire; how our beliefs about sex and sexuality are formed through religious traditions and cultural expectations; how we encounter representations of sex through visual and performing art, and media; and how industries and laws have formed to sell and regulate sexual content.

  • Kelly Thomas

    How can we best understand sexuality and sexual desire? As humans, we are sexual creatures, yet sexual desire is often viewed by society as taboo and carefully regulated. This section examines potential reasons why, and subsequent repercussions. This is not a how-to course on human sexuality; rather, we will inquire into how we are (or are not) formally educated about sexual desire; how our beliefs about sex and sexuality are formed through religious traditions and cultural expectations; how we encounter representations of sex through visual and performing art, and media; and how industries and laws have formed to sell and regulate sexual content.

  • Ciaran Buckley

    We jump straight in with class conversations on current Supreme Court cases. By looking at a seemingly daunting and divisive topics head on, you will see these topics as challenging, but not intimidating. We will practice the process of finding and making arguments from different perspectives. Some current Supreme Court themes we will look at are: beginning of life, free speech, separation of Church and state, God, second amendment rights, AI. In-class discussions/conversations paired with a series of executive summaries will help you in analyzing and finding solutions to complex issues. We will have conversations about developing our ability to create an environment where each perspective is considered to collaborate around making progress toward common goals.

  • Amanda Young

    What does it mean to follow your passion through a multidisciplinary lens? In this course we explore how different fields of study can help us understand and cultivate our passions. This course encourages you to investigate your interests by integrating insights from psychology, sociology, history, arts, and sciences. By blending these perspectives together, you can gain a deeper understanding of what motivates us, how our passions shape our worldviews, and their impact on our personal and professional lives. In this course, students will engage with a variety of texts, ranging from academic articles to biographies and case studies. They will learn to conduct comprehensive research that reflects the complexity of their interests. Through workshops, collaborative projects, and individual research assignments, students will develop the skills to examine their interests from multiple angles, fostering a deeper appreciation for interdisciplinary inquiry. This course challenges students to think critically about the role of passion in innovation and societal advancement, encouraging them to pursue their interests with both rigor and creativity. By the end of the course, students will have the tools to explore their passions through interdisciplinary research and collaboration. Get ready to embark on an exciting journey that not only deepens your understanding of your passions but also equips you with the necessary skills to pursue them.

Spring Semester

  • COR 203 | Core Foundations: Making Meaning through Culture

    Culture impacts everything we do, experience, and learn, but what is culture? Where does it come from, how does it form, and why does it have such a wide and deep impact on people’s lives? This course explores culture as a system of meaning and meaning-making in order to allow for a more thoughtful analysis of, and then engagement with, cultural texts and media using different methodological approaches.

  • COR 204 | Theoretical Perspectives on _____

    In this course, you will go in depth about a theoretical perspective that asks you to interrogate systems of power and power relationships. You will learn about the history of that perspective, including how it too was shaped by multiple contexts and compares with other viewpoints. You will use that perspective to analyze a specific topic, collection of texts, or cultural phenomena.

  • Gary Scudder

    We all watch movies, but how do we watch movies? How do we dig deeper, find the more complex meaning, in films? One of the best theoretical approaches – and also one of the most misunderstood – is to hold a Marxist lens up to movies, essentially examining them in relation to deeper issues of economic and social class issues. This class will explore a century of films, ranging from early classics like Battleship Potemkin to modern blockbusters like Black Panther.

  • Kristin Wolf

    The natural world is conceived of and defined in countless ways – as a source of subsistence and spirituality, wonder and wanderlust, resources and responsibilities. It is home to humans and non-humans alike, but is often differentiated from the built world as nature is differentiated from culture. What histories, traditions, events, perspectives, and power dynamics define our relationship to the natural world and what do they imply for our future? In this course we will study theoretical perspectives of nature, the environment, and the Anthropocene and explore how they influence and are influenced by our relationship to the natural world.

  • Charles Bashaw

    What is Art? What is the relationship between Art itself and the many media of artistic expression? What is the relationship between Art and Morality? Is it possible to make ¡°objective¡± judgements about the quality of Art? What is the role of Art in human society? Drawing on multiple academic disciplines, including Art History, Critical and Cultural Studies, and Philosophy, this course will offer an interdisciplinary exploration of these and other questions pertaining to the nature of Art.

  • Kristin Wolf

    The natural world is conceived of and defined in countless ways – as a source of subsistence and spirituality, wonder and wanderlust, resources and responsibilities. It is home to humans and non-humans alike, but is often differentiated from the built world as nature is differentiated from culture. What histories, traditions, events, perspectives, and power dynamics define our relationship to the natural world and what do they imply for our future? In this course we will study theoretical perspectives of nature, the environment, and the Anthropocene and explore how they influence and are influenced by our relationship to the natural world.

  • Charles Bashaw

    What is Art? What is the relationship between Art itself and the many media of artistic expression? What is the relationship between Art and Morality? Is it possible to make ¡°objective¡± judgements about the quality of Art? What is the role of Art in human society? Drawing on multiple academic disciplines, including Art History, Critical and Cultural Studies, and Philosophy, this course will offer an interdisciplinary exploration of these and other questions pertaining to the nature of Art.

  • Kristin Wolf

    The natural world is conceived of and defined in countless ways – as a source of subsistence and spirituality, wonder and wanderlust, resources and responsibilities. It is home to humans and non-humans alike, but is often differentiated from the built world as nature is differentiated from culture. What histories, traditions, events, perspectives, and power dynamics define our relationship to the natural world and what do they imply for our future? In this course we will study theoretical perspectives of nature, the environment, and the Anthropocene and explore how they influence and are influenced by our relationship to the natural world.

  • Rachel Moser-Hardy

    Is ¡°disabled¡± a bad word? What does it mean to experience disability in a capitalistic society that values physical and financial productivity above all else? What implications does disability have on someone beyond their physical health¡ªsocial, financial, mental, emotional, and educational¡ªand why are disabled people too often considered unreliable narrators of their own experiences? What truths about humanity can we learn from this often-overlooked minority group? And what if, in fact, we as a society are the broken ones¡ªnot disabled citizens themselves? Using a variety of texts, this class will explore the lived experiences and struggles of disabled people and possible solutions to the problems they face by examining the social model vs. the medical model theories of disability and listening to first-hand experiences of disabled people.

  • Kerry Noonan

    The Illuminati? Q-Anon? 5-G? Area 51? Lizard people? Conspiracy theories seem to be everywhere, showing up in politics, healthcare, and other important areas of our lives. What makes these narratives compelling? Why do people come to believe them? What function do they serve? How are they spread from person to person? We will use the tools and theories from the academic discipline of folklore to examine the history of such beliefs, look at how they are spread, analyze their types and structures, explore psychological and cultural reasons for their acceptance, and delve into the symbolic content and possible meanings of these narratives that offer to explain the inexplicable.

  • Miriam Horne

    Fiber arts have long been relegated to the realm of ¡°women¡¯s work¡± and craft. Examining feminist theory and its evolution, we will dive into the work of fiber artists, explore fiber arts as tools of empowerment, and explore the place of these arts in our digital world. In addition to reading about fiber and speaking with fiber artists, we will try our own hand at knitting, crocheting, weaving and more. No experience necessary!

  • Miriam Horne

    Can a recipe persuade? At a basic level, rhetoric is the art of persuasion. In this course, we examine the conceptual development of rhetoric and apply its principles to favorite recipes. Using everything from grandma’s old recipe card to the ubiquitous over-explained recipe blogs combined with some hands-on experiences, we examine structure, social context, and relationships, to understand how recipes are persuasive.

  • Rachel Moser-Hardy

    Is ¡°disabled¡± a bad word? What does it mean to experience disability in a capitalistic society that values physical and financial productivity above all else? What implications does disability have on someone beyond their physical health¡ªsocial, financial, mental, emotional, and educational¡ªand why are disabled people too often considered unreliable narrators of their own experiences? What truths about humanity can we learn from this often-overlooked minority group? And what if, in fact, we as a society are the broken ones¡ªnot disabled citizens themselves? Using a variety of texts, this class will explore the lived experiences and struggles of disabled people and possible solutions to the problems they face by examining the social model vs. the medical model theories of disability and listening to first-hand experiences of disabled people.

  • Kerry Noonan

    The Illuminati? Q-Anon? 5-G? Area 51? Lizard people? Conspiracy theories seem to be everywhere, showing up in politics, healthcare, and other important areas of our lives. What makes these narratives compelling? Why do people come to believe them? What function do they serve? How are they spread from person to person? We will use the tools and theories from the academic discipline of folklore to examine the history of such beliefs, look at how they are spread, analyze their types and structures, explore psychological and cultural reasons for their acceptance, and delve into the symbolic content and possible meanings of these narratives that offer to explain the inexplicable.

  • Weiling Deng

    When the panopticon was invented in the late 18th century, it did not just make the surveillance of prisoners easier. The all-seeing architecture changed the systems of social control and marked the society¡¯s transition to a disciplinary power. Concurrently, an extremely similar structure housing 360-degree panoramic landscape paintings was invented, enabling an immersive optical experience that visualized for the European viewers a world in motion and one that would be further colonized. This course explores a wide range of techniques and media of vision, from camera obscura to photography and film, from sketches to digital display, from panorama to virtual reality and computer-aided surveillance, and investigates how they construct a ¡°society of spectacle¡± that in turn shapes our relationship with the world. This course draws on theories from art history, visual culture, architecture, museum studies, philosophy of history, gender and ethnic studies, postcolonial studies, and information and communication studies to examine these techniques of seeing. Through making basic versions of some of these techniques, you will learn to understand these techniques as tools that reorganize knowledge and social practices and materialize ¡°modernity¡± as everyday life, rather than just an artistic experiment of the avant-garde isolated from larger economic, technological, and intellectual contexts. Instead of delivering a ¡°true history¡± of vision, the goal is to reflect on, theorize, decolonize, and apply in re-creating some of the above-mentioned techniques, how what we call ¡°present,¡± ¡°modern,¡± and ¡°global¡± are configured materially through the visual.

  • Jonathan Banfill

    Borders exist all around us. Whether they are physical, conceptual, or psychological; visible or invisible; disciplinary or professional; borders create division, separating nations, spaces, and peoples. This has never been more apparent than in recent years where political fractures and other global events have combined to create a world that is seemingly more disconnected than before, both transnationally and interpersonally. This section of 204 investigates a wide range of theoretical perspectives on borders, examining how they manifest in the world around us. At the same time, we will seek out sites of commons and collectively in our local world, i.e., those spaces where borders have the potential to be collapsed, as a means of applying theoretical concepts and participating in active worldbuilding.

  • David Kite

    Ethics is the theory of deliberation and choice in human affairs. Students will study traditional systems of moral philosophy and will use these to analyze relevant issues in personal, social and political spaces. The goal will be to develop skills of thoughtful and reflective deliberation about ethical values, choices and actions.

  • Miriam Horne

    Can a recipe persuade? At a basic level, rhetoric is the art of persuasion. In this course, we examine the conceptual development of rhetoric and apply its principles to favorite recipes. Using everything from grandma’s old recipe card to the ubiquitous over-explained recipe blogs combined with some hands-on experiences, we examine structure, social context, and relationships, to understand how recipes are persuasive.

  • Erik Shonstrom

    While American action films slogged through the 70s and 80s with wooden, hyper-masculine male stars like Charles Bronson and Arnold Swarznegger montoning their way through boilerplate scripts, Asian cinema was showcasing amazing female leads such as Moon Lee and Angela Mao in complex martial arts films. What is it about the cultural underpinnings of Asian martial arts films that inspired an entire generation of female action heroines? What role do traditional notions of femininity play in films like the Thai classic Raging Phoenix, where the protagonist, played by Jeeja Yanin, is a booze-drinking bare-knuckled fighter taking on a human trafficking ring? What is it like to be a female stunt performer in a male-dominated industry? This physical, experiential class explores gender norms and the interplay between identity, culture, and history within the world of martial movies. Students should bring ACE bandages and ibuprofen, because they¡¯ll be training in martial arts and stunts and then choreographing, directing, starring, and producing their own martial arts inspired short film.

  • Erik Shonstrom

    While American action films slogged through the 70s and 80s with wooden, hyper-masculine male stars like Charles Bronson and Arnold Swarznegger montoning their way through boilerplate scripts, Asian cinema was showcasing amazing female leads such as Moon Lee and Angela Mao in complex martial arts films. What is it about the cultural underpinnings of Asian martial arts films that inspired an entire generation of female action heroines? What role do traditional notions of femininity play in films like the Thai classic Raging Phoenix, where the protagonist, played by Jeeja Yanin, is a booze-drinking bare-knuckled fighter taking on a human trafficking ring? What is it like to be a female stunt performer in a male-dominated industry? This physical, experiential class explores gender norms and the interplay between identity, culture, and history within the world of martial movies. Students should bring ACE bandages and ibuprofen, because they¡¯ll be training in martial arts and stunts and then choreographing, directing, starring, and producing their own martial arts inspired short film.

  • Gary Scudder

    We all watch movies, but how do we watch movies? How do we dig deeper, find the more complex meaning, in films? One of the best theoretical approaches – and also one of the most misunderstood – is to hold a Marxist lens up to movies, essentially examining them in relation to deeper issues of economic and social class issues. This class will explore a century of films, ranging from early classics like Battleship Potemkin to modern blockbusters like Black Panther.

  • Erik Shonstrom

    While American action films slogged through the 70s and 80s with wooden, hyper-masculine male stars like Charles Bronson and Arnold Swarznegger montoning their way through boilerplate scripts, Asian cinema was showcasing amazing female leads such as Moon Lee and Angela Mao in complex martial arts films. What is it about the cultural underpinnings of Asian martial arts films that inspired an entire generation of female action heroines? What role do traditional notions of femininity play in films like the Thai classic Raging Phoenix, where the protagonist, played by Jeeja Yanin, is a booze-drinking bare-knuckled fighter taking on a human trafficking ring? What is it like to be a female stunt performer in a male-dominated industry? This physical, experiential class explores gender norms and the interplay between identity, culture, and history within the world of martial movies. Students should bring ACE bandages and ibuprofen, because they¡¯ll be training in martial arts and stunts and then choreographing, directing, starring, and producing their own martial arts inspired short film.

  • Miriam Horne

    Fiber arts have long been relegated to the realm of ¡°women¡¯s work¡± and craft. Examining feminist theory and its evolution, we will dive into the work of fiber artists, explore fiber arts as tools of empowerment, and explore the place of these arts in our digital world. In addition to reading about fiber and speaking with fiber artists, we will try our own hand at knitting, crocheting, weaving and more. No experience necessary!

Core Division

Aiken Hall, Room 300
163 S Willard St, 足彩胜负14场, VT 05401
Monday ¨C Friday
8:00 AM ¨C 4:00 PM